Renaissance Culture And The Everyday

Author: Patricia Fumerton
Publisher: University of Pennsylvania Press
ISBN: 9780812291186
Size: 13.18 MB
Format: PDF
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Items as familiar as mirrors, books, horses, money, laundry baskets, graffiti, embroidery, and food look decidedly less familiar when seen through the eyes of Renaissance men and women. In Renaissance Culture and the Everyday, such scholars as Judith Brown, Frances Dolan, Richard Helgerson, Debora Shuger, Don Wayne, and Stephanie Jed illuminate the sometimes surprising issues at stake in just such common matters of daily life during the Renaissance in England and on the Continent.

Gender Sexuality And Material Objects In English Renaissance Verse

Author: Pamela S. Hammons
Publisher: Routledge
ISBN: 9781351934428
Size: 18.98 MB
Format: PDF, Mobi
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An important contribution to recent critical discussions about gender, sexuality, and material culture in Renaissance England, this study analyzes female- and male-authored lyrics to illuminate how gender and sexuality inflected sixteenth- and seventeenth-century poets' conceptualization of relations among people and things, human and non-human subjects and objects. Pamela S. Hammons examines lyrics from both manuscript and print collections”including the verse of authors ranging from Robert Herrick, John Donne, and Ben Jonson to Margaret Cavendish, Lucy Hutchinson, and Aemilia Lanyer”and situates them in relation to legal theories, autobiographies, biographies, plays, and epics. Her approach fills a crucial gap in the conversation, which has focused upon drama and male-authored works, by foregrounding the significance of the lyric and women's writing. Hammons exposes the poetic strategies sixteenth- and seventeenth-century English women used to assert themselves as subjects of property and economic agents”in relation to material items ranging from personal property to real estate”despite the dominant patriarchal ideology insisting they were ideally temporary, passive vehicles for men's wealth. The study details how women imagined their multiple, complex interactions with the material world:the author shows that how a woman poet represents herself in relation to material objects is a flexible fiction she can mobilize for diverse purposes. Because this book analyzes men's and women's poems together, it isolates important gendered differences in how the poets envision human subjects' use, control, possession, and ownership of things and the influences, effects, and power of things over humans. It also adds to the increasing evidence for the pervasiveness of patriarchal anxieties associated with female economic agency in a culture in which women were often treated as objects.

Urban Poetics In The French Renaissance

Author: Elisabeth Hodges
Publisher: Ashgate Publishing, Ltd.
ISBN: 0754662063
Size: 11.66 MB
Format: PDF, ePub, Docs
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Through a construct she calls urban poetics, Elisabeth Hodges draws out the relationship between the city and the self in early modern French literature and culture, showing the impact of the city in human history and cultural production to be so profound that it cannot be extricated from what we know by the name of subjectivity. Charting a course between cartography, literary studies, and cultural history, this study opens new vistas on some of the period's defining problems.

Untimely Matter In The Time Of Shakespeare

Author: Jonathan Gil Harris
Publisher: University of Pennsylvania Press
ISBN: 9780812202205
Size: 19.88 MB
Format: PDF, Docs
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Selected by Choice magazine as an Outstanding Academic Title for 2009 The New Historicism of the 1980s and early 1990s was preoccupied with the fashioning of early modern subjects. But, Jonathan Gil Harris notes, the pronounced tendency now is to engage with objects. From textiles to stage beards to furniture, objects are read by literary critics as closely as literature used to be. For a growing number of Renaissance and Shakespeare scholars, the play is no longer the thing: the thing is the thing. Curiously, the current wave of "thing studies" has largely avoided posing questions of time. How do we understand time through a thing? What is the time of a thing? In Untimely Matter in the Time of Shakespeare, Harris challenges the way in which we conventionally understand physical objects and their relation to history. Turning to Renaissance theories of matter, Harris considers the profound untimeliness of things, focusing particularly on Shakespeare's stage materials. He reveals that many "Renaissance" objects were actually survivals from an older time—the medieval monastic properties that, post-Reformation, were recycled as stage props in the public playhouses, or the old Roman walls of London, still visible in Shakespeare's time. Then, as now, old objects were inherited, recycled, repurposed; they were polytemporal or palimpsested. By treating matter as dynamic and temporally hybrid, Harris addresses objects in their futurity, not just in their encapsulation of the past. Untimely Matter in the Time of Shakespeare is a bold study that puts the matériel—the explosive, world-changing potential—back into a "material culture" that has been too often understood as inert stuff.

Cosmetics In Shakespearean And Renaissance Drama

Author: Farah Karim-Cooper
Publisher: Edinburgh University Press
ISBN: 9780748677092
Size: 20.25 MB
Format: PDF, ePub, Mobi
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This original study examines how the plays of Shakespeare and his contemporaries dramatise the cultural preoccupation with cosmetics. Farah Karim-Cooper analyses contemporary tracts that address the then-contentious issue of cosmetic practice and identifies a 'culture of cosmetics', which finds its visual identity on the Renaissance stage. She also examines cosmetic recipes and their relationship to drama as well as to the construction of early modern identities.