The Female Lead

Author: Edwina Dunn
Publisher: Random House
ISBN: 9781473529458
Size: 20.36 MB
Format: PDF, ePub
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Sixty inspirational women, from many walks of life. All have changed the world in a variety of fields. Among them are politicians and artists, journalists and teachers, engineers and campaigners, fire fighters and film stars. Together they form an arresting gallery of portraits, each one illustrated with original photography by Brigitte Lacombe. Some have led their professions; some have broken new ground for women; some have inspired changes through relentless endeavour. All were chosen for their ambitions and achievements and all tell their stories in their own words. For girls, it can be hard to identify role models in our society. This book will help and inspire women everywhere to realize their hopes and ambitions.

Lean In

Author: Sheryl Sandberg
Publisher: Ullstein eBooks
ISBN: 9783843705783
Size: 11.24 MB
Format: PDF, ePub, Mobi
View: 75

In Deutschland sitzen in den Vorständen der 100 umsatzstärksten Firmen gerade einmal drei Prozent Frauen. International sieht es nicht viel besser aus. Sheryl Sandberg ist COO von Facebook und gehörte davor zur Führungsmannschaft bei Google. Zusammen mit ihrem Mann Dave erzieht sie zwei kleine Kinder. Sie ist eine der wenigen sichtbaren Top-Managerinnen weltweit und ein Vorbild für Frauen aller Generationen. In ihrem Buch widmet sie sich ihrem Herzensthema: Wie können mehr Frauen in anspruchsvollen Jobs an die Spitze gelangen? Sie beschreibt äußere und innere Barrieren, die Frauen den Aufstieg verwehren. Sandberg zeigt, wie jede Frau ihre Ziele erreichen kann.

An Examination Of The Female Lead Roles In Show Boat As A Model For Gender Based Performance Practice

Author: Anne Lewis
ISBN: OCLC:64394127
Size: 19.93 MB
Format: PDF
View: 56

"The purpose of this study is to formulate a critical, gendered approach to research for informed character preparation in classic musical theatre. Jerome Kern and Oscar Hammerstein II's Show Boat provides a framework for an examination of performance practice based on stereotypes of contemporaneous gender roles. As a model for research, four areas are explored to prepare context for an original, informed interpretation of the female lead roles in Show Boat. The first area is the context of the early twentieth-century musical. American musical theatre is a fusion of European operetta, melodrama, minstrel shows, vaudeville, musical revue, musical comedy, and popular songs. Characteristic elements of each of these are found in Show Boat (1927), yet it established a marked departure from these trends. The second area is an examination of the socio-historical trends relevant to the historical era of Show Boat (1890-1927). Specific gender roles are introduced through the debate of the "Woman Question" and the stereotypes of traditional versus progressive moral values. Four societal gender stereotypes that are represented in Show Boat are the New England Victorian, the Southern Belle, the Ethnic Other, and the New Woman. The third area is a discussion of the implicit audience assumptions and stereotypes of professional women in the theatre as sexually promiscuous. These societal and theatrical gender stereotypes are then examined in relevance to the female characters of Show Boat. The fourth area is an exploration of performance practice in musical theatre. A synthesis of gender-based preparation is modeled through a method outline of character development and song analysis for "Make Believe" and "Can't Help Lovin' 'dat Man."--Abstract from author supplied metadata.

The Song Of Everlasting Sorrow

Author: Wang Anyi
Publisher: Columbia University Press
ISBN: 9780231513098
Size: 19.29 MB
Format: PDF, Kindle
View: 48

Set in post-World War II Shanghai, The Song of Everlasting Sorrow follows the adventures of Wang Qiyao, a girl born of the longtong, the crowded, labyrinthine alleys of Shanghai's working-class neighborhoods. Infatuated with the glitz and glamour of 1940s Hollywood, Wang Qiyao seeks fame in the Miss Shanghai beauty pageant, and this fleeting moment of stardom becomes the pinnacle of her life. During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"—a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication—only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth. From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.


Author: Jonathan P. J. Stock
Publisher: Oxford University Press
ISBN: 0197262732
Size: 11.19 MB
Format: PDF, Kindle
View: 32

China has over three hundred distinct styles of music drama, from exorcism theatre to farce, historical romance, and shadow puppetry. This study considers one of the newer operatic forms. Established just two centuries ago, huju (Shanghai opera), is renowned for its portrayal of ordinary people, not the emperors, courtesans, and heroes of older forms. Acting and make-up aim for realism rather than symbolism, and stories deal with contemporaneous themes: the struggles of lovers to marry, women's rights after the Communist revolution (1949), and life under the new social order established by Deng Xiaoping's reforms in the 1980s. Music ranges from local folksong to syncretic adoptions of Western popular music. Jonathan Stock is an authority on Chinese music, with previous books on Chinese flute and violin solos and Abing, a twentieth-century composer. Adding to his extensive research on Chinese music, Stock's eighteen months of fieldwork in Shanghai allows him to interweave material from historical reports, sound recordings, live performance, and the first-hand accounts of three generations of singers into a study of a unique Chinese opera form seen equally as historical tradition, venue for social action, and forum for musical creativity. Assessing first the roots of huju in local folksong and ballad, he looks at the enduring role of emotional expressivity. He next focuses on the rise of actresses, laying out a specially 'musical' reading of gendered performance. Further chapters reverse conventional ethnomusicological arguments that music constructs place by looking at how Shanghai's institutions before 1949 shaped the environment within which troupes developed new dramatic materials and competed for work. In considering reforms post-1949, the author shows how the infusion of explicit political content actually weakened the expressive impact of these dramas. Finally, developments since 1980 are reviewed. The book includes songs and illustrations of performance styles. An innovative combination of urban and historical ethnomusicology, the book's findings will engage the historian of China and general scholar of music alike.

The Weak Subject

Author: Serena Anderlini-D'Onofrio
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838637302
Size: 16.16 MB
Format: PDF, Mobi
View: 60

Focusing on the work of twentieth-century women playwrights, this book recuperates for feminism the notions of realism and mimesis, and proposes new readings of modern women's plays. It claims that modern women playwrights establish a new form of mimesis. Drawing on theories of French feminist Luce Irigaray, the author calls this dramatic structure "labial mimesis," marks its difference from the traditional structure based on a male hero, and emphasizes its hospitality to the representation of trust, love, friendship, and erotic intimacy among women. She offers a fresh perspective in the lively debate about the viability of realism for feminist writing.

Performance And Cultural Politics

Author: Elin Diamond
Publisher: Routledge
ISBN: 9781136165955
Size: 14.43 MB
Format: PDF, ePub
View: 11

Performance and Cultural Politics is a groundbreaking collection of essays which explore the historical and cultural territories of performance, written by the foremost scholars in the field. The essays, exploring performance art, theatre, music and dance, range from Oscar Wilde to Eric Clapton; from the Rose Theatre to U.S. Holocaust museums. The topic includes: * Sex Play: Stereotype, Pose and Dildo * Grave Performances: The Cultural Politics of Memory * Genealogies: Critical Performances * Identity Politics: Passing, Carnival and the Law In the concluding section, `Performer's Performance', performance artist Robbie McCauley offers the practitioner's perspective on performance studies. Interdisciplinary, thought-provoking and rich in new ideas, Performance and Cultural Politics is a landmark in the emerging field of performance studies.